Archive
Volume 31 (70). № 4, Part 4, 2020
UKRAINIAN LITERATURE
Bogatyrova K. V., Rozum A. P.
PRE-ROMANTIC MOTIFS IN VASYL RUBAN’S “ODE IN PRAISE OF LOVE”
Zhyhun S. V.
TETYANA AND YELYZAVETA KARDYNALOVSKY: DESTINY AND CREATIVITY
Kachak T. B.
SPECIFICS OF CREATION AND FUNCTIONING OF PROTAGONISTS’ IMAGES IN ADVENTURE REALISTIC-FANTASTIC PROSE FOR YOUTH
Konovalova M. M., Shkurat Yu. V.
MAN IN URBAN SPACE OF V. PIDMOHYLNY “THE CITY” AND V. DOMONTOVYCH “GIRL WITH A TEDDY BEAR” NOVELS
Krupka L. O.
THE NOVEL BY SOFIA ANDRUKHOVYCH “FELIX AUSTRIA” AS A FAMILY NARRATIVE
Levchenko N. M., Pecherskyh L. O.
INTERMEDIALITY AS A MEANS OF REFLECTING REALITY IN THE NOVEL “THE ORPHANAGE” BY SERHIY ZHADAN
Melniichuk V. V.
THE ARCHETYPE OF “INITIATION” IN PSYCHOLOGICAL S. PROTSYUK’S NOVELS
Naumenko N. V.
INTERTEXTUALITY OF MUSICAL SYMBOL IN THE POWER FIELD OF NOVELLISTIC NARRATION
Prylipko I. L.
“…I HURRY TO CATCH MORE SUN FOR PEOPLE…”: MORAL AND ETHICAL PROBLEMS IN THE DIARY RECORDS OF OLES HONCHAR 1984–1995
Shtolko M. A.
FOOTBALL AND MODERN UKRAINIAN LITERATURE (ON THE MATERIAL OF THE BOOK “WRITERS ABOUT FOOTBALL”)
Shulga O. O.
TRANSFORMATION OF MOTRONA KOCHUBEY’S IMAGE IN THE HISTORICAL NOVEL “MOTRYA” BY B. LEPKY
LITERATURE OF FOREIGN COUNTRIES
Azizhanli G.
IDEOLOGICAL-AESTHETIC, THEORETICAL FOUNDATIONS OF CITIZENS LYRICS
Alasgarova Solmaz Hashim
MEMORY: ILLUSION, FALSE IMPRESSION, FABRICATION, OR INNER TIME
Aliyev Yusif.
A LOOK TO THE HISTORY OF TRANSLATION AND PUBLICATION OF BRITISH CHILDREN'S LITERATURE INTO AZERBAIJANI LANGUAGE
Arnautova A. R., Semenets O. S.
SPECIFICS OF THE IMAGE OF “ANOTHER” CULTURE IN THE LITERATURE OF THE XIX CENTURY (ON THE MATERIAL OF THE WORKS OF G. BYRON AND I. GASPRINSKY)
Velieva Farida.
RELIGIOUS SECTS IN POETRY IN THE NATIVE TURKISH LANGUAGE (XIII–XV CENTURIES)
Emiramzaieva A. S., Semenets O. S.
COMMON HUMAN VALUES AND NATIONAL IDENTITY IN AMIN MAALUF'S POST-COLONIAL NOVEL “THE GATE OF THE LEVANT”
Maharramova Konul.
ANAS HUSEYN JAVID’S HOME MUSEUM AS THE PUBLISHER OF THE LEGACY AND THE RESEARCH MATERIALS ON HUSEYN JAVID’S WORKS
Mammadova Tora Kamal gizi, Hamzayeva Sevinj Sayyad gizi
ARTISTIC INFLUENCES-TRANSFORMATIONS IN THE CONTEMPORARY AZERBAIJANI NOVEL (ON THE BASIS OF G. MARQUEZ’S “AUTUMN OF THE PATRIARCH” AND A. MASUD’S “FREEDOM” NOVELS)
Rzali Gunay Sharafeddin gizi.
PECULIARITIES OF THE SYMBOL SYSTEM OF “THE SPIRE” NOVEL BY WILLIAM GOLDING
Svyrydenko O. M.
THE LYRICAL ELEMENT, ITS ROLE AND PLACE IN H. HEINE’S EPISTOLARY WORKS
SOCIAL COMMUNICATIONS: THEORY AND HISTORY OF SOCIAL COMMUNICATIONS
Komova М. V.
BLOGGERS OF THE NEWS WEB PORTAL CENSOR.NET: COMPOSITION AND PUBLICATION ACTIVITY
Petrushka A. I.
“PROBLEM ZONES” OF DOMESTIC SCIENTIFIC PERIODICALS AND INTEGRATION INTO THE INTERNATIONAL INFORMATION SPACE
Chervinchuk A. О.
JOURNALISTS’ STRATEGIES FOR REPRESENTING THE MILITARY EXPERIENCE OF COMBATANTS
THEORY AND HISTORY OF JOURNALISM
Кozak S. B.
THE UKRAINIAN NEWS (UKRAJINS’KI VISTI): FIRST PERIOD OF EXISTENCE (GERMANY, 1945–1950)
Kolkutina V. V.
FUNCTIONING OF THE CONCEPT OF «DIVIDED SOULS» IN THE HISTORY OF UKRAINIAN JOURNALISM
Sazonova Yu. O.
SPORTS PRESS OF DONETSK REGION 1991-2014: SYNCHRONOUS AND STRUCTURAL-FUNCTIONAL SECTIONS
Yuksel G. Z.
UKRAINE IN THE CRIMEA MEDIA: MONITORING RESULTS
APPLIED SOCIAL AND COMMUNICATION TECHNOLOGIES
Dosenko A. К., Нandziuk V. О.
MODERN MEDIA DISCOURSE: APPROACHES TO TYPOLOGIZATION
Kyianytsiya Yе. O.
THE ROLE OF CLASSICAL AND INTERACTIVE MEDIA IN THE INFORMATION-DIGITAL SOCIETY
Klymentova O. V.
COMMUNICATIVE OBJECTIVATION OF GOD IN THE UKRAINIAN RELIGIOUS ADVERTISING: PERCEPTUAL MODEL
Melnyk Ya. H.
LINGUO-POETIC MEANS REALIZATION METAMORPHOSIS AND TRANSFORMATIONS IN THE POETIC HERITAGE OF B. OLEINIK
Poltavets Yu. S.
TEXTS OF PUBLISHING AND ADVERTISING BOOK ANNOTATIONS: COMMUNICATIVE-PRAGMATIC ASPECT
Semenist I. V., Makhachashvili R. К.
DIGITAL COMMUNICATION AND INFORMATION COMMUNICATION TOOLS FOR FINAL QUALIFICATION ASSESSMENT IN ORIENTAL LANGUAGES PROGRAMS
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